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Mighty Duke

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Kelvin Pope |
Kelvin Pope, the Mighty Duke, is
the only person in the history of Trinidad and Tobago calypso to
ever win the calypso monarch title four consecutive times. No one
has ever seriously challenged his calypso record.s
Duke wrote his first calypso in the 1950's. From
early in his career, he sang in "bacchanal" calypsos side by side
with his serious messages. Duke, who was once a school teacher, says
his social conscience was forged from his childhood days in the oil
town of Point Fortin in southern Trinidad. Here, Trinidad
conservative, country values collided with the foreign values of the
expatriates who settled in this remote area to work in the oil
industry. This was also a place where many "small" island people had
migrated carrying their own cultural and religious values which were
often shaped by their African heritage. Duke's own family was
originally from St. Vincent.
And so, Point Fortin, a deeply religious community
known for its extraordinary number of entertainers, became the
springboard for Duke's career in calypso. Growing up there assured
Duke of having all the humour all Trini's are noted for, but gave
him that haunting social conscience that could only come from
witnessing the merging of foreign cultures. Point Fortin afforded a
singer the opportunity of being an outsider looking in and an
insider looking out. Duke stood on the cutting edge of the social
strata in this community with a keen sense of observation which he
translated into his songs.
In 1964, Duke left his Point Fortin home to come to
the capital city of Port of Spain to sing professionally. In his
career, which has spanned three decades, he became the epitome of
conventional calypso. He kept humour and double entendre alive in
calypso long after Spoiler and Cypher had died. He proved that well
constructed suggestive lyrics that dealt with social issues could
make the masses laugh, as well as catch the nod of the calypso
judges in competition. No artist has matched his style and grace in
making people take humourous calypsos seriously. While other
calypsonians used exaggerated antics to capture the audience's
attention, Duke remained regal and dignified in his presentation.
Duke kept humour, the dying branch of the artform,
alive and he gave humourous calypsos a dignity that few other
calypsonians could match. While other calypsonian's themes always
dealt with sex, Duke's often dealt with general social condition and
position. Duke has become one of a handful of calypsonians who is
equally able to make calypso fans laugh and cry. He has created
serious social messages including classics like "How Many More Must
Die," a haunting question address to the apartheid regime in South
Africa. Duke's classic hits over the years include "Social
Bacchanal," "Black is Beautiful," "Brotherhood of Man," "Black
Skin," "White Mask," and "Melvie and Yvonne."
To this day, no calypso connoisseur can forget those
four consecutive calypso crowns duke earned. The first was in 1968
when he emerged victorious with "What is Calypso" and "Social
Bacchanal." The following year, he turned back all challengers with
"Black is Beautiful" and "One Foot Visina." In 1970, when Trinidad
and Tobago was immersed in black consciousness, Duke beat back his
competitors with "Brotherhood of Man" and "See Through." His fourth
victory came in 1971 with "Mathematical Formula" and "Melvie and
Yvonne." It took the Might Sparrow to stop him in 1972 with "Drunk
and Disorderly." Even after his noble defeat in the calypso arena,
Duke remained a force to be reckoned with on the calypso scene. He
loyal fans return perennially to see him perform in the calypso
tents and to sigh over his keen sense of fashion. In 1987, he proved
his power in the Soca scene with the Roach March, "Thunder."
Kelvin
Pope is one of those few entertainers who has managed to stick
loyally to the roots of the music while adapting to the nuances of
the changing time. He has reminded everyone, through his vast
collection of work, that in the lineage of royalty, which we all
admire, there is something beyond the power and grace of a king and
queen, prince and princess. There is a Duke.

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